I keep expecting to like Matt Fraction stuff to be better than I do because I’ve heard so much good stuff about him. There’s something interesting in here, but it also seems sleazy and grimy as an intentional style decision, and I don’t know if that’s my kind of fiction. I’ll probably keep reading this, and it was helpful to read the cast pages at the end so I could remember who everyone was, but I don’t know if I’ll like it any more.

Look, now more than ever, I’m sympathetic toward a story of Canadian resistance to American bullying, and you’d think that giant mech combat would only make that more appealing.

There are just too many strikes against this to be better than “meh,” though. I don’t like blood and gore in my comics, the characters are kind of flat, and the French dialogue needs another edit.

This was dumb. It’s the kind of comic that’s intentionally offensive, but that doesn’t stop it from being dumb and offensive.

The only thing keeping me from rating it lower is that there’s the spark of something interesting in there. Compelling art! Is Jay Leno POTUS, with Dick Cheney as his VP?! It’s Alan Moore’s Comedian turned up to 12! None of that is enough to make it good, but it’s worth some recognition, I guess.

This comic has the raw ingredients (including solid art) to make a compelling story about mortality, existential dread, privilege, and so many other topics. Yet, it doesn’t seem to be able to organize them into something coherent and compelling.

Still trying to figure out a replacement bike after my main commuter was declared unsafe by the U.S. government. Juggling price, geometry, maintenance, practicality, and everything else.

This series ended as a disappointment. The grace I was willing to give it with the last volume is gone after it finishing in a pile of anticlimaxes and overused science fiction tropes. Meh.

Okay, once I got over the ways that generative AI have ruined the premise, it’s not a terrible story. It’s not deep or particularly original, but I enjoyed it enough to be more generous this time around.

I read this series ages ago; when I got it through an Image Humble Bundle, I decided it was worth a reread.

The art isn’t bad, and the basic ideas of the series are interesting, but it’s remarkable how much generative AI has kind of ruined what the series could be.

So much of this reads differently now: the premise of people seeking companionship in sycophantic robots, the secondary premise of people being convinced that there’s true intelligence behind the scenes just waiting to be unlocked, the idea of “robots rights” in a society that’s skeptical of artificial intelligence. What would have been pretty standard scifi 4 years ago now hits differently, feeling like an allegory for the most delusional parts of pro-AI advocacy.

Il m’arrive de devoir chercher un nouveau vélo, mais il paraît qu’on oublie que les grands aussi ont envie d’être vélotaffeur. Si je faisais quelques centimètres de moins, tout serait bien plus facile.

Over the weekend, I decided to plunge back into following a bunch of social accounts on Mastodon and Bluesky that I had previously removed from Reeder to avoid information overwhelm. Sensitive to the possibility that information overwhelm would come back with all of these new follows, I tried using Reeder’s filter feature to do something I’d never thought about before: organizing feeds by genre instead of by content.

That is, I’ve previously used folders in Reeder (and plenty of other RSS apps) to organize feeds into the different subjects that I’m interested in and then catching up on feeds one subject at a time. However, this time, I used Reeder’s filters to organize by feed type—or genre. That is, I have all true RSS feeds accessible through one filter and all social feeds accessible through another. The idea here is that I’m more interested in at least reviewing all of the true RSS feeds (blogs, news sites, etc.), but with social, I’ll be more willing to hit Reeder’s “go to top” button and skip over a bunch of posts that I missed overnight or during a busy day.

Chaque année, ça brise le cœur d’entendre « Black Friday » sur la radio francophone.

Dammit, now is not a great time to be looking for a replacement ebike. And it looks like Rad is going under, too? Ugh.

Cette carte de vœux MBudget que j’ai acheté en 2009 restera toujours l’un des meilleurs souvenirs que je garderai du temps que j’ai passé en Suisse.

Between purging bookshelves and using the filtering feature of my RSS app, today is a big day for overcoming my tendency toward completionism.

I also want to give myself a winter project of adding yet more social functionality to my core Hugo presence (ActivityPub? reposting social stuff?). I shouldn’t be giving myself more winter projects, but this is stuff I’ve wanted to do for ages, soooo

Heading into another phase of following more sources but using Reeder features to keep it manageable. We’ll see how long it lasts before another phase of following fewer sources.

I really struggle with deciding whether a local event sounds fun. If only I could ask a computer to determine that for me!

The most I can ever relate to Superman is during a cloudy day when a lack of sun makes me feel tired and weak.

Weather.app bug or moderate chances of space lasers this afternoon?

I was more generous to the first series this time around because I was impressed by how tightly it works as a single story, despite being episodic. While there are lots of gems in this series, it doesn’t feel as tightly constructed, and there are also some weird things that don’t really work for me (like a conspiratorial diatribe against the FBI?). I don’t regret rewatching it, but it just isn’t as good as the first series.

Sometimes blocking external images in my email clients is worth it just because the alt text makes me chuckle. “Drone over corn” could be a good band name.

This season wasn’t awful so much as “just okay,” but I’ve come to expect more from the show. It took my least favorite book and changed it in weird ways that didn’t feel like they fixed much. A few changes were good, but others felt like they added too much complexity to the plot or that they were trying to lend a gravitas to characters that don’t need it.

I have tried to rewatch this a few times since discovering it in 2023, and I’ve always stalled out by the final episode of Series 1, which is so cruel and cynical that it’s difficult to watch. Yet, it fits nicely with the themes of the show (and especially the first series), so I’m glad I made it through this time. I’m still critical of the misogyny and brownface that led me to dock points from my last review, but seeing how carefully the show sets up that final episode of the series (especially during an era where season arcs weren’t nearly as important as they later became) has won my respect.

I wasn’t sure about this book at first, and I’m not totally sure about it at the end, but there was enough in the middle to mostly win me over. Herron continues to be a cruel narrator with one of the major developments of this book, and the other major development really raises questions about where the series will go from here.

Analog horror is not a genre I would have ever expected to like, but it turns out that I not only enjoy it but also… find it healing in a weird sort of way?