In the beginning of the year, I wrote a post about noticing that hoopla had stopped allowing screenshots in its app, which is super dumb. While my chief regret in starting to read the surreal horror comic series Ice Cream Man on hoopla instead of with the physical TPBs available at my local library is because it’s a raw deal for the library, I remembered this morning another reason: That I couldn’t take pictures of panels that impressed me in the same way that I could with a TPB. This is dumb, and I regret the use I’ve been making of hoopla over the summer. I’ve also taken a break from writing this post to reserve the next several TPBs at a library, so I won’t be tempted to go back to hoopla when my borrows reset on September 1st.

Kiddo was off school yesterday, so we took a trip to the library, where I saw the first 7-8 TPBs of this series on the shelf. I nearly checked out the first four, but on second thought, I put them back. This series shouldn’t work for me. It’s not my preferred style of art, it’s full of body and existential horror, and one of the reasons I put those TPBs back is because I was concerned I wouldn’t be able to sleep if I tried reading them.

The surreal horror comic “Ice Cream Man” is very different than the Australian Eurovision entry “Milkshake Man,” so it’s weird to have the latter stuck in my head while reading the former.

I dragged this season out over too long to fully appreciate it, but it was a fun sendoff for the series. It’s the only Star Trek series I’ve watched in its entirety, and I think it might be my favorite!

I remembered this book being overly complicated and the TV adaptation being far superior. Revisiting it, though, is shifting my opinion. I think the TV adaptation does a good job of streamlining the story and connecting it to the broader franchise, but even if the original plot is convoluted, I think it’s better than I first gave it credit for. I also continue to appreciate Herron’s writing tics and what they add to the story that you couldn’t so in television.

Ce matin, j’ai été poursuivi par un chien aboyant pour la première fois en sept ans de vélotaf. Vive le vélo électrique ! 😅

This was a delight to read. While the Apple TV adaptation is excellent (I can’t help but imagine the book’s characters as the show’s actors), revisiting this reminded me just how good the source material is, too. Herron likes to play with the audience in a way that a TV show can’t capture, and some of the best lines from the adaptation are taken straight from his writing. What a gem.

Been thinking for years that I should own a Fairphone one day.

Je ne connais pas hyper bien Mix & Remix, mais j’ai quelques livres qu’il a illustré, et je crois me souvenir d’un mécanicien à Renens dont il a illustré le logo.

This wasn’t bad, but I just didn’t find it as interesting as the first. I know the whole series is beloved by many, but I’m wondering if I just like the first novella? I ought to keep going to see if persistence pays off, but I had trouble sticking to this listen, so I think it’s time for a break.

Spent some time exploring Tapestry last night (and stayed up too late doing so, boo). Really appreciate what it’s going for, but it’s not quite what I want, so going to stick with Reeder.

I definitely read this one too fast, but if I hadn’t, I probably would have gotten hung up more on the continued blood and gore, which I continue not to like.

As with the rest of the series, though, there’s plenty that kept me coming back, and even the stuff I don’t like is consistent(ish) with the universe that these creators have established. The happy ending is satisfying, the big swings are still interesting, and Eve gets treated better in the final arcs than in earlier stories (though I think they could have done even better by her). It’s a good series, despite my reservations, and I hope it never gets rebooted.

This article is one more push in the direction of my finally subscribing to Kagi.

I didn’t realize how quickly I made it through this! I wrote something in my review of the first compendium about the interesting things that Kirkman can do without being bogged down by a broader continuity, and that certainly applies here. I appreciate the big swings he takes and his willingness to shake up the story and leave it shaken up rather than a creep back to the status quo.

I really like the first novella, and this one isn’t bad, it’s just hard to live up to the strong first start. I’d like to continue working on the series, since I know it’s all well regarded, but I don’t remember many of the details from the first time I tried this, so let’s hope it sticks more this time.

I have some mixed feelings about Invincible, though they obviously are positive enough for me to start a full series reread. In college, I used to own a hardcover collection regrouping the first several TPBs, but I gave it away when moving to grad school. I was bothered by the violence and gore then, and now I can add to that the casual homophobia and ableism of the early 2000s and the low-level objectification and misogyny that are in most superhero comics. There’s some not to like in this series.

Rereading this after watching the show is really interesting. In some ways, it raises my opinion of the show, after seeing specific lines and scenes that they clearly drew from. However, as I wrote last night, I also just like the book so much more, and I’m not sure that the things I miss could have been adapted at all.

From its earliest paragraphs, All Systems Red is helping clarify my feelings about the Murderbot TV show. I don’t know that it’s a bad adaptation so much as I think that some of my favorite parts of the book just can’t be adapted to screen.

I love this story, and the radio production is excellent. I like the supporting cast of oddball characters (especially Connie and Toby), and the idea of George’s struggle with his age and his morals is compelling. Maybe it’s still being torn about Honourable Schoolboy, but it just didn’t land as well this time as it has in the past.

There’s an interesting story in here, and I’m usually a fan of Le Carré’s “naïve characters make bad decisions and things go poorly” plots. I just cannot get over what feels like exaggerated East Asian accents in the performance, though. What could be a really interesting exploration of colonization, American intervention, etc. feels more like orientalism, especially when I’m not sure all the actors doing the accents are of East Asian heritage themselves.

Look, I know I haven’t read enough of the Murderbot source material to get snippy about unfaithfulness of adaptations. What’s more, this is a pretty good show! Great design, great casting, and lots of fun.

I just didn’t like it as much as I remember liking the novella. I got annoyed by what felt like unnecessary expansions, and there are parts of the worldbuilding that just can’t be captured on TV. Skarsgård does a great job but doesn’t capture how I perceived the main character. I just feel grumpy about it even though I recognize that it’s good.

Quand mon navigateur web se trompe mais ça me gêne pas trop.

Vive la Suisse et sa résistance envers Amazon.

I tend to overthink media, and one thing I’ve been overthinking recently is whether books and radio are more ethical media than television and film, because I understand the former (perhaps naïvely) as involving less waste of resources for the sake of entertainment.

I bring this up not because I’m convinced by the argument (which I haven’t really thought through) but because the second season of Andor had me back on the side of television, because how else could you tell such a great story as that? Here’s the thing, though: This (audio)book had me mulling over the question again, because I might like it more than Andor.

I hear people are angry about Superman being an immigrant, so I think it’s time to read “Superman Smashes the Klan” again (and maybe even listen to the 1940s radio serial it’s based on).