This volume isn’t quite as good as the last (mostly because of the filler material that it concludes with), and it has some of the same problems with trying to do diversity but sometime undermining itself. However, I still think the best superhero stories are the ones that pick at and play with tropes, and I haven’t seen anyone do that better than this series.

I love Astro City. It is definitely not perfect (the creative team is a bunch of white guys, and sometimes, that’s painfully obvious), but as far as I’m concerned, it’s the best wholesale reimagining of superhero tropes out there. I’ve read every single story in this volume before, and I read them now with a more critical eye than in the past, but I had a great time rereading them all.

This is a fun concept—a teenager named Clark Kent who’s tired of the jokes about being named after the fictional Superman suddenly develops Superman’s powers and has to figure out how to live with them. Busiek strikes me as the perfect person to write a story about how a world familiar with superhero tropes would deal with their becoming real, but as much as I love little bits of this story, I just don’t know that it will ever stand out as a favorite of mine.

I really wanted to like this more than I did! North and Henderson are one of my favorite creative teams in comics, and North’s dialogue and Henderson’s art come together in perfect ways throughout the story. At the end of the day, though, I don’t know if there was enough to that story or to the worldbuilding to really interest me. There are neat ideas in here, and the plot comes together in smart ways at times, but neither feels fleshed out enough to really stand out.

I’ve only read two Mormon missionary memoirs (plus one compilation of Mormon missionary comics), but both have been helpful for me in thinking about my own missionary experience. Brittany Long Olsen’s Dendo: One Year and One Half in Tokyo is a remarkable graphic novel memoir of her missionary service in Japan. The art is great, the ambition is fantastic, and it absolutely deserves the 2015 award it won from the Association of Mormon Letters.

This is a frank, vulnerable memoir that I learned a lot from; I’m glad for Kobabe’s willingness to share eir story. I also appreciated the art style. I’d been meaning to read this in print a while ago but had checked out too many books from the library and had to return it before I got to it. I’m glad it was available on Hoopla so I could read it on my phone instead of mindlessly scrolling through TVTropes.

Well, this is the last of the PDFs I got from the Humble Bundle, and I think that means I’m caught up on Saga in trade paperback format. I’m hooked, though, so I’ll have to find other ways to keep up with it!

Heck of a volume right here; I can see how it would be frustrating for the series to go on hiatus right after this, and I’m glad I’m reading the series post-hiatus. It’s interesting to see just how willing Vaughan is to change things up hard, and I wonder how this will affect the running themes of the book moving forward. As usual, it’s also fascinating to follow the beautiful, very weird art.

I don’t know what it is about particular volumes of this series that makes them rise above the rest, but this was one of them. Maybe it was adorable Ghüs becoming a badass when needed or a father-daughter reunion or something else. Whatever it was, this series continues to deliver.

Still reading, still enjoying! It’s interesting to watch the stories and themes play out (sometimes slowly) over time.

I still love so much about this series and am looking forward to continuing it. Vaughan is blending together characters and plot threads in interesting and new ways, and I’m eager to see where he goes with it. This didn’t get as high as a review from me as the last volume, though. Maybe it’s because there was some more of the gore that’s my least favorite part of this, or maybe it’s because I don’t like media about couples going through rough patches, even if it’s well done.

Okay, no more caveats. I’m really into this series now. The themes (the difficult love of family and the creeping destruction of war) are more clear, and the art and weirdness continue to be excellent.

You know, I still feel like Saga leans into being a comic for adults by putting adult material in there just because it can. That said, I’ll admit that I have a certain amount of inherent prudishness that may be coloring my thinking there. More importantly, I enjoy the art, the story is getting better and more interesting, and I’m eager to keep reading.

I gave Saga a try a few years ago, but it didn’t quite work for me (or my prudishness), so as good of a reputation it had, I didn’t stick with it. I just got the first ten volumes through a Humble Bundle, though, and so it’s time to give it another try. I’m no longer bothered by swearing and sex like I was a decade (or whatever) ago, though I’ll admit that casual gore is not something that endears me to comics.

J’ai déjà lu la traduction anglaise de cet album magnifique—Delisle est assez connu aux États-Unis pour paraître (en traduction) dans les bibliothèques près de chez moi. Pourtant, il y a toujours quelque chose de decevant quand je sais que j’aurais lu le lire en français. Quand une ami a visité Bruxelles récemment, je lui ai donc demandé de m’acheter l’album en français. Ayant passé quelques étés dans des usines, l’expérience de Delisle m’a beaucoup marqué.

There’s a lot to love about Top 10, which is why I read it for what is at least the third time (likely more). The story is well-crafted, the concept is interesting, it riffs on superhero tropes while breathing new life into them, and the art is full of so many easter eggs for the savvy reader (my favorite is probably the Astérix and Obélix cameo, but there are lots of other great ones).

Still a fun series, and I’m glad it’s short enough that I could go ahead and finish it out. It continued to get more interesting as it went along, but it also didn’t give any of its twists and turns enough time to feel deserved.

I liked Volume Two more than Volume One: The story breaks free of simple troping and the characters become a bit more interesting. That said, none of this is enough in my mind to really set the series apart. I wonder if this would be better as a long-ish YA novel than as an ongoing comics series.

The premise is fun, and I liked (most of) the art, but I felt like the story moved too fast to move beyond recycled tropes—or let the characters be more than flattish archetypes. It probably won’t stop me from reading the next volume, but I think it’s aimed at a younger audience than me.

One of kiddo’s library books right now is part comic and part choose your own adventure, all wrapped up in a solo TTRPG adventure. It’s a bit too old for her, but we’re both loving it.

Une vraie amie, c’est celle qui visite Bruxelles en vacances, trouve par hasard une librairie avec plein de BD et t’envoie un message pour te demander quel album tu veux qu’elle apporte aux États-Unis pour toi.

Il y a quelques années, j’ai découvert Thimas Römer grâce à un entretien sur le podcast « Le rayon bd ». C’était peu après que j’ai découvert ses leçons sur les milieux bibliques données au Collège de France. J’aime bien écouter ces leçons comme podcast même si elles n’ont rien à voir avec la BD. Ça semble tout réunir d’entendre Römer présenter Benoît Peeters pour des leçons sur la BD au Collège de France, et j’en suis bien content.

Even on my second read-through, it’s hard to believe how good the 2016 Flintstones comic actually is.

Bien content d’avoir découvert le Calendrier de l’Avent de noelenbd.fr (même si je suis deçu d’avoir raté les premiers jours). Encore plus content qu’Izneo ne défend pas aux non-Français de profiter de l’offre.

This weekend, I read Kate Beaton’s new graphic novel memoir, “Ducks: Two Years in the Oil Sands” in a single sitting. It was excellent and really got me thinking.

Hearing about Kevin Conroy’s death (😭😭😭) has me reading about Batman: The Animated Series, which has me reading about various “ages” (golden, silver, bronze) of comics. Was there ever an aluminium age? If not, what would it have looked like?

I am rereading through old FoxTrot comic strips and bookmarking all the tech ones I think I might use in lectures next semester. Wish I’d done this years ago.

Hier soir, juste avant de me coucher, quelqu’un a posé une question sur r/French: Pourquoi les non-Francophones choisissent-ils d’apprendre le français ? J’ai vu la question peu après qu’elle a été posée, et j’ai dit la vérité : On m’avait offert le choix entre les cours de français et les cours d’espagnol. Il y avait plus de monde qui voulaient étudier l’espagnol, et j’avais envie de contrarier. J’ai donc choisi le français comme acte de rébellion.

Kiddo starts at a new school on Wednesday, and I’ve been putting off signing the Acceptable Use Policy and Chromebook Policy because I want to read them carefully. I don’t know how much I can do about anything that I’m really concerned with, but I’m a tech researcher when I’m not being kiddo’s dad, so I feel an obligation to be informed and raise a fuss when something is fussworthy.

Grâce à une épisode de Culture BD sur France Culture, j’ai décidé de lire (enfin) Corto Maltese. Content de trouver des traductions chez ma bibliothèque locale, mais il faut que je trouve plus de moyens pour lire la BD en français, quoi.

Content de voir le retour de Culture BD sur France Culture !

When I was in college, I ran into a friend on my way to a professor’s office hours. He saw that I had a copy of Superman for All Seasons with me and gave me a hard time about it—he was much more of a Marvel fan than a DC fan (these were the days when this was primarily a reference to comics, not sprawling cinematic universes) and just didn’t get the appeal of Superman—how could you do anything interesting with a character that powerful?

I never would have picked this comic up on my own, but I discovered it through TVTropes, read it over two days, and really enjoyed i! Fraction’s take on writing it is similar to Ryan North’s take on Squirrel Girl, with a lot of humor, very little taking oneself seriously, and plenty of story to keep the whole thing together. The comic leans into the silliness of Olsen as a character and embraces a lot of the Silver Age approach to comics.

I always found the Inhumans stuff the least interesting part of Ms. Marvel comics, so I’m digging the reimagined parts of the TV show.

I had no idea about this history, and I think it’s fun!

Very happy to learn that the whole run of Unbeatable Squirrel Girl is now available through my library. I am several years behind and eager to catch up.