I read through this with kiddo this morning, inspired by our recent discovery of Shiga’s new Adventuregame Comics. I was surprised by how little I loved it. Don’t get me wrong: it’s an amazing concept, an interesting story, and it deserves the praise it gets from folks like Gene Luen Yang,Scott McCloud, and others. However, revisiting it after his newer work in this subgenre, I think he does better with Adventuretime Comics!

I don’t remember how I first discovered Jason Shiga, but I do remember working my way through his interactive puzzle comic Meanwhile one summer, some of it while purportedly completing an internship. Meanwhile is one of the first comics I added to my collection and one of the few of my early acquisitions that I still have. Anyway, all of that is to say that when I saw this comic in the new children’s books area at a local library, I immediately grabbed it.

This comic memoir of (same-sex) marriage has excellent art, tells a good story, and hits on very important points for the time we’re in. I picked it up on a whim and really enjoyed it.

I recently read a lot of Saga, it’s not too long ago that I gave Y: The Last Man a readthrough, and I’ve tried this series before, so I was expecting to like this. I did see enough in there to see why it’s so often hailed as a classic, but I found it too edgy for the sake of being edgy or editorial when opportunity allowed. Lind of disappointed, and not planning to read further.

I am not normally a fan of the comic strip genre of comics, but this was a good and important read.

I’ve skimmed the archives for this webcomic several times in the past, but I’ve never gotten this far in the story, and it was a delight to do so now. I was not sure this would live up to the first book, but it’s so, so good at using superhero tropes to explore philosophy and ethics. I really, really like this series.

I hadn’t realized this webcomic had been released in print volumes, and I honestly couldn’t remember how far I’d made it through the webcomic archives, so I leapt at the chance to read a collection. I think I might like this deconstructive “realistic” take on superheroes more than any other. The questions are interesting, the art is uneven but compelling, and the characters resonate with me. It’s a great read.

This is new Astro City material for me, even though it’s been around for a while. There’s still a lot of what makes Astro City great in the long “Dark Ages” story, but not enough to make it shine. I think I like Astro City best when it takes a quick dive into an interesting story, plays with some tropes, and just hints at a broader world and continuity. This tries to explain too much and be too connected, and in doing so, I think it loses a lot of the magic.

This volume isn’t quite as good as the last (mostly because of the filler material that it concludes with), and it has some of the same problems with trying to do diversity but sometime undermining itself. However, I still think the best superhero stories are the ones that pick at and play with tropes, and I haven’t seen anyone do that better than this series.

I love Astro City. It is definitely not perfect (the creative team is a bunch of white guys, and sometimes, that’s painfully obvious), but as far as I’m concerned, it’s the best wholesale reimagining of superhero tropes out there. I’ve read every single story in this volume before, and I read them now with a more critical eye than in the past, but I had a great time rereading them all.

This is a fun concept—a teenager named Clark Kent who’s tired of the jokes about being named after the fictional Superman suddenly develops Superman’s powers and has to figure out how to live with them. Busiek strikes me as the perfect person to write a story about how a world familiar with superhero tropes would deal with their becoming real, but as much as I love little bits of this story, I just don’t know that it will ever stand out as a favorite of mine.

I really wanted to like this more than I did! North and Henderson are one of my favorite creative teams in comics, and North’s dialogue and Henderson’s art come together in perfect ways throughout the story. At the end of the day, though, I don’t know if there was enough to that story or to the worldbuilding to really interest me. There are neat ideas in here, and the plot comes together in smart ways at times, but neither feels fleshed out enough to really stand out.

This is a frank, vulnerable memoir that I learned a lot from; I’m glad for Kobabe’s willingness to share eir story. I also appreciated the art style. I’d been meaning to read this in print a while ago but had checked out too many books from the library and had to return it before I got to it. I’m glad it was available on Hoopla so I could read it on my phone instead of mindlessly scrolling through TVTropes.

Well, this is the last of the PDFs I got from the Humble Bundle, and I think that means I’m caught up on Saga in trade paperback format. I’m hooked, though, so I’ll have to find other ways to keep up with it!

Heck of a volume right here; I can see how it would be frustrating for the series to go on hiatus right after this, and I’m glad I’m reading the series post-hiatus. It’s interesting to see just how willing Vaughan is to change things up hard, and I wonder how this will affect the running themes of the book moving forward. As usual, it’s also fascinating to follow the beautiful, very weird art.

This volume is a perfect encapsulation of everything Saga: I think it hits on all the main characters, it’s weird in delightful ways, it tackles heavy subjects (but sometimes veers into edgy for edgy’s sake), and it left me excited to read more.

At this point, I’ve read so much Saga this week that it’s hard to remember what happened in what volume. That said, even if Volume 7 ended on a downer, I remember that I liked what I read here.

I don’t know what it is about particular volumes of this series that makes them rise above the rest, but this was one of them. Maybe it was adorable Ghüs becoming a badass when needed or a father-daughter reunion or something else. Whatever it was, this series continues to deliver.

Still reading, still enjoying! It’s interesting to watch the stories and themes play out (sometimes slowly) over time.

I still love so much about this series and am looking forward to continuing it. Vaughan is blending together characters and plot threads in interesting and new ways, and I’m eager to see where he goes with it. This didn’t get as high as a review from me as the last volume, though. Maybe it’s because there was some more of the gore that’s my least favorite part of this, or maybe it’s because I don’t like media about couples going through rough patches, even if it’s well done.

Okay, no more caveats. I’m really into this series now. The themes (the difficult love of family and the creeping destruction of war) are more clear, and the art and weirdness continue to be excellent.

You know, I still feel like Saga leans into being a comic for adults by putting adult material in there just because it can. That said, I’ll admit that I have a certain amount of inherent prudishness that may be coloring my thinking there. More importantly, I enjoy the art, the story is getting better and more interesting, and I’m eager to keep reading.

I gave Saga a try a few years ago, but it didn’t quite work for me (or my prudishness), so as good of a reputation it had, I didn’t stick with it. I just got the first ten volumes through a Humble Bundle, though, and so it’s time to give it another try. I’m no longer bothered by swearing and sex like I was a decade (or whatever) ago, though I’ll admit that casual gore is not something that endears me to comics.

J’ai déjà lu la traduction anglaise de cet album magnifique—Delisle est assez connu aux États-Unis pour paraître (en traduction) dans les bibliothèques près de chez moi. Pourtant, il y a toujours quelque chose de decevant quand je sais que j’aurais lu le lire en français. Quand une ami a visité Bruxelles récemment, je lui ai donc demandé de m’acheter l’album en français. Ayant passé quelques étés dans des usines, l’expérience de Delisle m’a beaucoup marqué.

There’s a lot to love about Top 10, which is why I read it for what is at least the third time (likely more). The story is well-crafted, the concept is interesting, it riffs on superhero tropes while breathing new life into them, and the art is full of so many easter eggs for the savvy reader (my favorite is probably the Astérix and Obélix cameo, but there are lots of other great ones).

Still a fun series, and I’m glad it’s short enough that I could go ahead and finish it out. It continued to get more interesting as it went along, but it also didn’t give any of its twists and turns enough time to feel deserved.

I liked Volume Two more than Volume One: The story breaks free of simple troping and the characters become a bit more interesting. That said, none of this is enough in my mind to really set the series apart. I wonder if this would be better as a long-ish YA novel than as an ongoing comics series.

The premise is fun, and I liked (most of) the art, but I felt like the story moved too fast to move beyond recycled tropes—or let the characters be more than flattish archetypes. It probably won’t stop me from reading the next volume, but I think it’s aimed at a younger audience than me.

I’m a big fan of Delisle’s comics, but in the past, I’ve skipped his series on parenting. This morning, though, a friend visiting Brussels offered to bring me back a copy of Delisle’s « Chroniques de Jeunesse », so when I went to the library later in the day, I couldn’t help but pick up something else he’s done. His art is great, and his stories are funny and sweet. My only complaint is that I couldn’t read the original French edition (though I should be glad Kentucky libraries carry the English translations!

I’ve read this a couple times before, so I knew it wouldn’t be great, but it was on sale for a dollar at a used book store, and I have a soft spot for it (including its sequels), so I picked it up and gave it another go. I think this retelling makes big mistakes about Superman (believing that destructive fights and interstellar intrigue are what makes the character interesting) and about origin story retellings (gesturing to the reader and including shocking plot twists), but it also asks the important questions about power and responsibility that make Superman stories good.

I’ve read this comic through Boing Boing for a while now, so when I saw a collection of strips at the library, I thought I ought to pick it up and enjoy some of the strips from before I began reading it. I was surprised, then, to not enjoy the collection. I like the contemporary strips (mostly), but there was something about the collection that didn’t work for me. Maybe they would have been better if I were reading them one at a time when they came out.

This is, in my view, the weakest arc in all of North’s run on Squirrel Girl, and I think it’s because it’s the only time that North’s story gets a significant connecting to an overarching Marvel plot. It’s not bad—the characters and art are still interesting in the ways that previous stories have been—but I just didn’t feel as engaged by any of it as I had been in previous TPBs.

I feel pretty confident that this is the last of the TPBs that I’ve previously read. When first starting it, I thought that I hadn’t read it before, but it became familiar pretty quickly. I still miss Henderson’s art, but the series continue to be good! North has good ideas, Brain Drain is inspiring in a funny and goofy kind of way, and Squirrel Girl continue to represent intelligence and empathy.

This, the final arc in the TUSG book, was a delightful way to wrap up the series. It captured all the stories, characters, art, and ideas that made this comic so great and gave them the ending that they deserved. There were a lot of callbacks to previous parts of the series, and it could have been annoying, but I found it to be a nice way of wrapping everything up.

Beginning with this collection, the art changes, which I was sure would be an issue for me (no pun intended). I really like Erica Henderson’s drawing, and I think it fits North’s writing better, so I knew I would miss it. However, this TPB also has one of the best stories of the run in it—one that I’d forgotten all about. North really wrestles with his recurring theme of redemption rather than punishment with a multi-issue story on Kraven the Hunter—but still writes it in a way that affirms hope in the power of redemption.

This is another collection that I think I’ve read once but didn’t remember terribly well and was happy to return to it. I don’t know if I’ve read the next collection or not—it will be interesting to see when I begin to venture into the unknown. I think this TPB has one of the most creative and sweetest stories in the whole run—one about the friendship between Doreen and her roommate Nancy.