This volume seemed to depart so drastically from the first that I had to make sure I hasn’t skipped something by accident. The stories are mostly recognizable as part of a shared universe, but the worldbuilding feels overly ambitious and underserved by the actual plot. The topless Galatea robots are unnecessary, and the lampshading of their luridness by attributing it to an in-universe pervert doesn’t help. I was willing to give the first volume in this series the benefit of the doubt, but I’m glad I don’t have any more of this to read.

See, this one I should have loved: I really want to like Paul McGann’s Doctor, and I do like the Vashta Nerada. This felt like excessive EU riffing, though, and I just couldn’t get excited about it.

I shouldn’t like this! It took a trip to YouTube to remember who the Carrionites even were, and there are so many Doctor-Who-dumb, audio-play-dumb, and just generally dumb elements to this play. Yet, it somehow came together into something that I enjoyed listening to during a stressful week.

The Racnoss struck me as dumb in their first appearance, and this play hasn’t done much to disabuse me of that impression. That said, this played enough with interesting Doctor Who themes of peace and conflict that it won me over anyway.

Interesting art, and some interesting ideas (like a foulmouthed human being transported to a land of animal wizards). I think there’s something here, even if I’m not totally hooked.

Ce tome n’est pas moins mignon que les précédents, et il y a des cases qui nous ont bien fait rire ! Pourtant, alors que les trois premiers tomes ont été une seule trilogie bien conçue, ce tome ressemble plutôt aux suites qui arrivent après un succès médiatique, qui sont peut-être bons mais qui n’ont pas forcément la même qualité ou plan organisateur.

The beginning of this book felt like a bit of a slog, which felt tragic because I knew the book had all the elements I like in sci-fi! It eventually won me over, though, and I’m glad I stuck with it.

The art is good, and there are elements of a rollicking time travel romp hidden in here, but the story ultimately comes down to tech bros doing what they want because they have the power to, and we’re lucky that they decided to have a conscience at the end. That is not the kind of story I want to read in 2026.

I’ve read this too many times in the past two decades for it to feel as innovative and interesting as it once did, but it remains good!

On commence à voir pourquoi Andor s’est inspiré de cette série ! Au bout de douze épisodes, je commence à mieux connaître les personnages et à choisir des préférés parmi eux. En avant !

As soon as I saw this in a bookstore, I knew I’d need to read it, and I was happy to find an audiobook through hoopla (even if ew, hoopla). The details of the trial itself weren’t always easy to follow, but it was fascinating to learn more about a historical figure I was only loosely familiar with—and the final part of the book tracing Pétain’s continued significance was especially interesting.

“Classic Doctors, new monsters” is such a fun concept for an audio play series, and hearing Tom Baker face off against the Vashta Nerada was a delight. Don’t know if I’ll enjoy the upcoming stories as much, but this was fun.

Après avoir fini les quatres tomes « Bergères guerrières », on revient maintenant à Brume, relisant le troisième tome avant de commencer le quatrième qu’on vient de recevoir.

On aime bien cette série dans notre famille ! Elle est mignonne, bien dessinée, et marrante.

Sylvester McCoy is delightful, and I’m glad I got to experience a story with his Doctor and Sophie Aldred’s Ace. It’s goofy in the way that most expanded universe material is, but there’s enough there to be interesting, and I enjoyed the listen.

Ça fait des années que j’ai envie de regarder cette série, et apprendre qu’elle a inspiré Andor ne fait que renforcer cette intention.

Je la trouve intéressante, et j’en apprends beaucoup. En fait, je dois avouer que c’est grâce à un livre que j’écoute au sujet du Maréchal Pétain que j’ai enfin décider de commencer la série. Je risque de ne pas finir le livre, mais pour la série, je crois que je vais continuer jusqu’à la fin.

Lots to love in this book, and I am tempted to give it full marks. It’s just clunky enough in its plot to dock it a few points, but the ideas in the book are powerful, and its message of hope is great. It also rewards the reader for knowing a bit about geopolitics, which I’m a sucker for.

It’s real neat that the Eighth Doctor has had such a presence in Big Finish and other ancillary media, but this is another story that entirely dissuades me from trying to get into any of that, because I cannot follow what’s going on. Hard to say whether it’s continuity lockout, poor writing, or both.

This story is the hardest to follow radio drama I’ve ever experienced. It did turn out that I’d accidentally skipped over the first few tracks, but even going back to listen to them didn’t help much. I couldn’t tell characters apart, I wasn’t sure what was a flashback and what was the main story, there was some serious continuity lockout, and I found the whole thing confusing. There were some fun ideas in there, but they were buried under a persistent feeling of being lost.

Je me souvenais de ne pas aimer cette saison aussi bien que la première. Si ça reste vrai (je n’aime pas trop ce qu’on fait avec André, ce qui me semble trop compliqué), il y a des moments marrants qui ont lieu dans cette saison, et je suis triste de savoir que même la plus compliquée des histoires ne trouveront pas de résolution dans une troisième saison.

There was some passing around of the idiot ball in this story, and it felt surprisingly dark for a Doctor Who story, but I appreciated the layers of disaster piling up, and the villain was compelling in a pathetic way (in multiple senses of the word). I don’t know the Eighth Doctor well, so it’s interesting to get to know him here.

Battle of Britain Doctor Who would really have appealed to me at some point, but it’s the sort of thing now where I find myself wondering if the story is uncritically pedestalizing an important moment of history that is actually much more complicated.

I liked this, but I’m predisposed to like it. It makes a compelling argument that may not convince those who really need to be convinced but that will further open the minds of the already open minded. It made me angry in a good way, but I still don’t know what the right next steps are for me to help make a difference.

Comment dire que j’ai tant aimé une bd qui a fait pleurer ma fille ? C’est vrai qu’il y a des moments tristes à la fin de cette série impressionnante, mais je suis content qu’il y ait des œuvres pour enfants qui osent ne pas tout résoudre. En plus, l’histoire continue à être intéressante et l’art jolie.

Enjoying this series less and less the more that it goes on. I think I’d still watch a Season 4, but what began as a smart series with interesting drama has felt with each season that it’s leaning more into the drama and willing to set aside the smarts. Some fun moments in this series but also some headscratchers.

Some silly stuff in here, but enough of a compelling story (and enough John Hurt and core Doctor Who vibes) that I’m willing to forgive it.